10 clear glass sheets painted using enamels and embedded within an aluminium and mirrored glass sculptural frame, illuminated by a dynamic led lightscape. 

A scaled down study from Harry Clarke's 1920 'The Crucifixion' in Terenure, Dublin. Painted and etched stained glass and soldered using the Tiffany copper foil technique.

Two layers of stained glass painted using the sgraffito technique which were then plated together to give the image depth. The background was rendered using an acetone mist on a badgered matt.